Upcoming exhibition at the Nordic Institute on Åland

I am happy to announce that I will be exhibiting my follow-up on my We Are Nature series at the Nordic Institute on Åland. The exhibition will be open for the public between 15 of April until 29 of May.

Sadly the pandemic led to postponed and cancelations of a good portion of my commissioned projects. I went from being booked for a whole year to suddenly having all the time in the world—I was suddenly able to focus on my personal work. This project is the outcome.

“The finnish-swedish Photographer Christoffer Relander’s ”We Are Nature”-series blurs the line between the natural world and the human form to such a degree that it is impossible to tell where one ends and the other begins. In doing so, he has not only produced a set of stunning visual images, but also a reminder of the very real universal truth that indeed everything is connected at the deepest of levels”. - NIPÅ

Print release - "Inner Creatures"

My “Inner Creatures“ artwork that was commissioned and created for Peter Vogelaar’s latest album Inner Creatures is now available in acrylic mounted limited editions.

The artwork is printed on Fuji Crystal Archive mounted between 5mm Dibond and 2mm acrylic glass. These are signed and numbered and come with a certificate of authenticity. Artworks are ready to hang as received, but a selection of frames is possible to choose from too.

“Inner Creatures’ - 2020, digitally composed double exposure

Medium size - 30 x 30cm, acrylic reversal, ed 12 + 2 ap
Large size - 60 x 60cm, acrylic reversal, ed 6 + 2 ap
XL size - 100 x 100cm, acrylic reversal, ed 3 + 2 ap

Contact me for more details and pricing.

New Project - We Are Nature Vol. VI

I did not plan to finish this series yet. But as the global crisis caused by the Coronavirus, most of my commissioned works are either canceled or postponed. Especially the projects that require travel. I feel sorry for everyone affected.

In 2010 I began my journey experimenting with multiple exposure photography. During the years I have (well, others too) been asking myself sometimes, am I limiting my imagination when strictly sticking to this technique? Today, I am releasing my first personal project that was not created/blended in-camera. I decided to still bring inspiration from both the multiple exposure film algorithms (negative film) and some basic darkroom techniques, I suppose it is only natural to me to keep some limitations. The process has been different; not for the worse—Just different. I hope you enjoy!